Ongoing & Upcoming
2024 |
Apr-Jun, group show, Plicnik Space Initiative, London, UK Jun, Solstice Festival, Ruka, FI Oct-Nov, residency, La Bibi, Palma, ES Oct-Dec, duo show, Temnikova&Kasela, Tallinn, EE Nov-Jan, group show, La Bibi, Palma, ES |
Gileyspeke, 2023
Oak wood, beeswax, soy-based resin
9x7x4cm
Oak wood, beeswax, soy-based resin
9x7x4cm
Egg's Lore
Solo show
Light Harvesting Complex
Vantaa, Finland
May 2023
Photography by Eetu Sihvonen & Sara Blosseville
She presses her ear against the egg's cool shell, listening to the quiet hum from within:
“Humpty Dumpty sat on a wall.
Humpty Dumpty had a great fall.
All the king's horses and all the king's men
Couldn't put Humpty together again.”
Humpty Dumpty had a great fall.
All the king's horses and all the king's men
Couldn't put Humpty together again.”
Suffering Builds Character, 2023
Burnt pine wood, linseed oil, soy-based resin, oil pastel,
45 x 35 x 4 cm
Struggle Builds Character, 2023
Burnt pine wood, linseed oil, soy-based resin, oil pastel,
111 x 29 x 4 cm
Larval Tear ( To be Continued), 2023
Burnt pine wood, linseed oil, soy-based resin, oil pastel,
104 x 33 x 32 cm
Blues of the Broken Gate
Exhibition with an artist duo Anna Slama & Marek Delong
Curation and text by Tina Poliačková & Lumír Nykl
Photography by Jakub Hájek
Holešovická Šachta
Prague, Czech Republic
14.6.–12.7.2023
“I don’t dream of labor...but I do have work-related stress nightmares”
You are sitting at a mental lathe, the lapels of your jacket gripping you from both sides like the folders you are flicking through. You wonder whether it would be more effective to ignore the intrusive ticking of the clock on the wall or to move its hands with your eyes. In the end, you opt for the silent treatment, and your mind lets herself out through the collapsed gate into the Land of Cockaigne.
Let‘s dream for a moment about the Land of Cockaigne, the origin of the anthropomorphic egg that is the subject of Eetu Sihvonen‘s work. A tiny figure from Pieter Brueghel the Elder's painting in the form of an cracked egg with legs, newly equipped with plate armour, frees itself from its literally marginal position at the bottom of the painting, from where it used to rush to meet the resting inhabitans of Cockaigne like the proverbial roast pigeons flying into their mouth. In the updated conception, as developed by Eetu Sihvonen, it takes on a new lore - Egg's lore, incidentally, was the name of the exhibition at the Light Harvesting Complex greenhouse gallery in Vantaa, Finland, where a number of works were previously exhibited, which are also on display at Holešovická Šachta. The composition of Brueghel's original work is often interpreted as circular, like the bulk of the adventurous scenes of the wandering egg by Sihvonen. The original version of the tale of the Land of Cockaigne is based on the narrator's gradual boasting - each new line of the story contains an ever-growing fictional story depicting how great this mythical land is. The mythology or mysterious lore of the Sihvonen’s Egg unfolds as series, carrying a certain mechanical repetition and also reciting a contemporary fable about work. The egg is newly given the opportunity to construct its own narrative of itself step by step.
Eetu Sihvonen's own take on utopian Land of Cockaigne lacks the moralistic Protestant critique of idleness and gluttony. On the contrary, it opens up a range of possibilities for sharing and ideas on how to deal together with a life in which we choose our own rules for its narrative. Through static scenes that oscillate between reliefs, visual accompaniments of broadside ballads, stop-motion animations and the user interface of a fantasy RPG, we find ourselves right in the middle of the action through videos. The baroquely decorative enchanted frames produced by Eetu Sihvonen and the ergonomic image adjustments of Mark Delong and Anna Slama's work can serve as an entry point into places where work is not the central motif of the story, but merely the trigger that turns the wheels of the real plot in motion: the search for at least temporary liberation in the recesses of an alienated world.
The dynamics of the revelation of mental images and their placement into contexts, the non-linear flow of time in contradictory clockwise directions, themes glimpsed only momentarily from afar, when in the reflection of the glass we see glimpses of familiar faces filtered through the film grain. These are the key points on the basis of which Marek Delong & Anna Slama develop their associative game. The disparate arrangement of strange objects in the space corresponds to the volatile attention and intermittent structure of the mind during daydreaming. At times the striking disparity of the works is a strategy to disrupt the cycle of the egg from the Land of Cockaigne with the memories and dreams of a man stuck in an excruciatingly alienated cycle of work. The work of Eetu Sihvonen and Marek Delong & Anna Slama is, after all, adhesive to each other. Like a climbing plant winding its way along the inside of a rickety gate, connecting the permeable worlds of imagination and wage work routine.
Suffering Builds Character, 2023
Burnt pine wood, linseed oil, soy-based resin, oil pastel,
45 x 35 x 4 cm
Struggle Builds Character, 2023
Burnt pine wood, linseed oil, soy-based resin, oil pastel,
111 x 29 x 4 cm
Wheel of Fortune, 2023
Burnt pine wood, linseed oil, soy-based resin, oil pastel,
58 x 42 x 4 cm
Red Sky in the Morn, 2023
Burnt pine wood, linseed oil, 4K video,
140 x 110 x 70 cm
04:45min
Burnt pine wood, linseed oil, 4K video,
140 x 110 x 70 cm
04:45min
Sick, Sad & Oozing, 2023
Burnt pine wood, linseed oil, soy-based resin, oil pastel,
132 x 77 x 10 cm
Burnt pine wood, linseed oil, soy-based resin, oil pastel,
132 x 77 x 10 cm
Larval Tear ( To be Continued), 2023
Burnt pine wood, linseed oil, soy-based resin, oil pastel,
104 x 33 x 32 cm
Heavy Iron Gate, 2021
4K Video
06:30min
Red Sky in the Morn, 2023
Burnt pine wood, linseed oil, 4K video,
140 x 110 x 70 cm
04:45min
their room washed with hot light
Turku, Finland
6.5.–28.5.2023
A group show with: Arina Baranova, CAConrad, Cameron Awkward-Rich, Eeva-Maija Pulkkinen, Fathia Mohidin, Frank Brümmel, Iisa Lepistö, Inari Virmakoski, Inga Meldere, Iona Roisin, Isto Rahkila, Jenny Brady, Mikko Kuorinki, Minjee Hwang Kim, Niko Tiinanen, Nina Danino, Raisa Marja Suksi, Sara Blosseville, Xan Phillips & Yoojin Lee
Curated by Iona Roisin & Eeva-Maija Pulkkinen
Photography by Iona Roisin, Eeva-Maija Pulkkinen & Mariliis Rebane
This Nest for us to Rest
Group show with Hertta Kiiski & Inga MeldereCuration and photography by Sakari Tervo
Pitted Dates
Helsinki, Finland
28.1.–5.3.2023
A commissioned prose poem by Juuso Tervo
Our eagle landed mid-meadow – an unusual move for it, but so was the time we sought. The grass had grown old since the last visit: knee-deep it stood leaning on a crooked cane, whistling some tune the wind had taught it. Coming down from the eagle’s back we could hear pebbles chant gently beneath the soil, and the two songs merged into an ancient joy that filled our wayward hearts. “This must be the place,” the bird said and bid farewell after we blessed it. Thus was the campground decided; this nest for us to rest.
Scarecrow Sage II, 2021-23
3D print, burnt pine & birch wood
136x40x40cm
Major Oak, 2021
3D print, oak wood
80x25x27cm
3D print, oak wood
80x25x27cm
The House That Stood on Tall Legs
Mystic May
The Community
Pantin, France
26.06.—30.07.2021
The Community
Pantin, France
26.06.—30.07.2021
Kuvan Kevät
Exhibition Laboratory
Helsinki, Finland
12.5—6.6.2021
Exhibition Laboratory
Helsinki, Finland
12.5—6.6.2021
Kotka Art 22
Kotka, Finland
10.6.—14.8.2022.
Kotka, Finland
10.6.—14.8.2022.
Photography: The Community and Eetu Sihvonen
The House That Stood on Tall Legs, 2021
3D print, modelling clay, steel
155x40x33cm
3D print, modelling clay, steel
155x40x33cm
On a Journey to Elsewhere, 2021
3D print, dye sublimation on aluminium
55x37cm
The House That Stood on Tall Legs, 2021
3D print, dye sublimation on aluminium
55x37cm
Heavy Iron Gate, 2021
4K Video
06:30min
3D print, dye sublimation on aluminium
55x37cm
The House That Stood on Tall Legs, 2021
3D print, dye sublimation on aluminium
55x37cm
Heavy Iron Gate, 2021
4K Video
06:30min